
What's indisputable, though, is that Oriental Beauty (we're using its most common English handle) is a Taiwanese oolong like very few others. Looking at the tea's close-up portrait above, you might even mistake it for a Darjeeling with its silvery tips and the leaves' rusty hue. Indeed, the resemblance is remarkable (though a true tea sleuth would likely point to the presence of stems and the by-and-large unbroken condition of the leaves as evidence that it's not Darjeeling). Still, the comparison rings true in some ways--the reddish color of the leaves gives away this tea's high oxidation--it's sometimes as high as 80%, which is treading mighty close to black tea territory. It's also often unroasted and dried using an extended withering process. Perhaps most interestingly, Oriental Beauty producers actually encourage a parasitic "leaf hopper" insect to bite the tea leaves--the insects' saliva produces a chemical response in the leaves that is absolutely crucial to achieving its hallmark flavor characteristics.

Like out High Mt. Alishan, it's been quite a while since we've had a new Oriental Beauty oolong. Compared to other years' harvests, I think this tea is on the lighter side--it's more delicate and subtle rather than robust or verging on malty. This subtlety allows the tea's floral aspects to come out more than usual--the aroma has much more of a flowery scent, though the primary flavor is still fruity/honey notes. Drinking my first cup, I was immediately struck by some astringency at the front of my mouth, which actually complemented the tea's sweet finish quite well. This tea's special processing makes for really interesting-looking wet leaves, with an almost iridescent quality to the oxidized patches, which often cover most of an entire leaf. We recommend a slightly longer (4 minutes for a large pot or mug) steeping to fully develop this oolong's body.
Elliot
Taken from http://mirotea.blogspot.com/
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